Many a times you will find it useful to use both open and bar chords together. They will provide you a variety of tonal variations and will sound very different from the conventional chord progressions plus they will be easy to play a times.
Keeping in mind these view points, I am providing here a list of mixed chord changes that you should practice. The bar chords are written in brackets. Other chords should be played open. But it's up to you. If you want to shuffle them, you are welcome.
So first try to play as given below. After getting comfortable, try to substitute open chords with bar chords and vice versa and at times also try to keep some chords in their original form.
1.(F)-G-A-(B)-C-F
2.(G)-Am-(C)-D-G
3.G-(F#m)-C-(Em)
4.E7-(G7)-(B7)-Fm
5.(G)-Gm-(G7)-Gmaj7
6.(Dm)-G-(Fmaj7)-C
7.G-(Emin7)-(D)-C
8.(G)-C-(D)-G
9.A-(B)-C-D-(E)-F-G-A-F-E-(D)-C-(B)-A
Keeping in mind these view points, I am providing here a list of mixed chord changes that you should practice. The bar chords are written in brackets. Other chords should be played open. But it's up to you. If you want to shuffle them, you are welcome.
So first try to play as given below. After getting comfortable, try to substitute open chords with bar chords and vice versa and at times also try to keep some chords in their original form.
1.(F)-G-A-(B)-C-F
2.(G)-Am-(C)-D-G
3.G-(F#m)-C-(Em)
4.E7-(G7)-(B7)-Fm
5.(G)-Gm-(G7)-Gmaj7
6.(Dm)-G-(Fmaj7)-C
7.G-(Emin7)-(D)-C
8.(G)-C-(D)-G
9.A-(B)-C-D-(E)-F-G-A-F-E-(D)-C-(B)-A
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