Yeah! its all up to you man. I have just tried to create something totally different over a mild rock ballad backing track. The motto was to show that how much you can vary the sound of a scale to produce a feeling totally away from the backing track. Believe me, i have just used the C natural minor scale and not a single note anywhere outside the scale. But listen to it and feel how much the sound can be bend to give the simple minor scale such an exotic sound. All I want to say is that, don't feel restricted while using a single scale all the time. For example, many of you play the minor pentatonic scale and always land with a rocking sound. Try to shift the mood with the same scale. You can churn out miracles from it. Listen to it for once.
The backing track (not mine) was meant for some ballad kind of stuff. But i tried to change the mood completely and provide it a very exotic sound but restricting myself to the diatonic boundary of C minor scale along the whole solo. I hope you can find something in there for yourself to apply. Recording was done with ibanez RG350M on Moo0 voice recorder 1.38, with a delay patch from amplitube and the raw guitar sound overlapped on it with a fine amount of latency.
The backing track (not mine) was meant for some ballad kind of stuff. But i tried to change the mood completely and provide it a very exotic sound but restricting myself to the diatonic boundary of C minor scale along the whole solo. I hope you can find something in there for yourself to apply. Recording was done with ibanez RG350M on Moo0 voice recorder 1.38, with a delay patch from amplitube and the raw guitar sound overlapped on it with a fine amount of latency.
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